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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileLaatste avondmaal De Passie (serietitel)
after Hendrick Goltzius
Jesus is positioned centrally, his head framed by a radiant circular halo that illuminates the crowded room. The apostles display a range of emotional responses to his words, with St. Peter shown in the foreground pouring wine and a young St. John leaning toward Christ. A parrot, a symbol sometimes associated with the 'Ave' of the Annunciation, sits on a perch in the background under the vaulted ceiling.
This print is part of Goltzius’s 'Masterpieces' series, where he demonstrated his 'Protean' ability to perfectly emulate the styles of past masters like Albrecht Dürer. This technical shapeshifting was viewed in Mannerist circles as a form of intellectual and artistic alchemy, transmuting the identity of the artist through the mastery of historical 'maniera.'
Karel van Mander
Van Mander's 'Schilder-boeck' praises Goltzius's ability to imitate the styles of Dürer and Lucas van Leyden as a supreme intellectual and technical achievement.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.473029
Creative Commons Zero, Public Domain Dedication
4240 × 4920 px
5bb1d86b6f164e41f1071a38a82a6d7243b71535
January 17, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.