Landschap met Abraham en de drie engelen

In the foreground, Abraham receives three celestial messengers at a round table prepared with bread. To the right, a continuous narrative shows the angels departing toward a vast, detailed city landscape across a river, representing Sodom. The print features the high-horizon perspective and stylized, rolling clouds typical of Netherlandish Mannerism.

As a central figure of the Haarlem Mannerists, Goltzius's work often intersected with the mystical and philosophical interests of the Dutch intellectual elite, including the 'Family of Love.' This specific scene was frequently cited in Neoplatonic and Christian Kabbalistic circles as a primary instance of the 'Vision of God' or the manifestation of the Trinity in the material world.