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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileIn the foreground, the Good Samaritan helps the wounded traveler dismount a horse outside a timber-framed inn while conversing with the host. The composition features the characteristic towering trees and swirling cloud formations of the Haarlem style. In the distance to the right, tiny figures depict the earlier stages of the biblical story: the traveler being attacked by thieves and passed by a priest and a Levite.
As a leading figure of the Haarlem Mannerists, Goltzius utilized the 'world landscape' format to create a moralized vision of nature where human drama is embedded within a vast, complex environment. This approach to landscape often reflected the philosophical idea of the macrocosm mirroring the moral state of the microcosm.
Gospel of Luke
The print provides a literal and narrative illustration of the Parable of the Good Samaritan (Luke 10:25–37).
Karel van Mander
Goltzius was a close associate of Van Mander, whose 'Schilder-boeck' theorized the moral and intellectual importance of landscape painting in the Netherlands.
Object
Rijksmuseum, Amsterdam
paper
height 115 mm x width 173 mm
landscape
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.