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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Two muscular male figures, representing the dual aspects of love, are shown in a passionate embrace within a rugged landscape. Each figure holds a large, lit torch—one raised toward the sky and the other held lower—while a small fire burns on the ground near a tree root. The scene is characterized by the dynamic, twisted poses and precise line work typical of the late 16th-century Haarlem school.
This allegory draws on Neoplatonic philosophy regarding the nature of divine and reciprocal love. In the tradition of Marsilio Ficino, the relationship between Eros (desire) and Anteros (requited love) was used to explain the cosmic sympathy and the soul's ascent through the realization of beauty and mutual affection.
HG. Inuent. Omnia conseruant Eros, Anteros; omnia iungens Mutuus eterno federe nectit amor. His sine nec ratio constat, sursum atq[ue] deorsum Omnia voluuntur, nec modus vllus adest. 6.
Translation
HG. Inventor. Eros and Anteros preserve all things; mutual love, joining all, binds them in an eternal bond. Without these, neither reason remains, and all things are tossed upward and downward, nor is there any moderation. 6.
Marsilio Ficino
Ficino's 'De Amore' revived the Greek concept of Anteros to describe the 'reflexion' of love that balances the universe.
Andrea Alciato
Alciato's 'Emblemata' includes influential depictions of Eros and Anteros competing or embracing to represent the triumph of virtue and mutual love.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/b13fa8b2-99b4-bb83-0248-ea8f308183c1
Public domain
2512 × 3541 px
733a1c63b006c573ed121f2885b1090d7e956185
April 21, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.