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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileLogica De zeven vrije kunsten (serietitel)
after Hendrick Goltzius
A seated woman, representing the liberal art of Logic, gestures emphatically with her fingers toward a standing man with a long white beard and a scholar's cap. An open volume rests upon her lap, and several more books are shelved in the background. The interaction captures the tension and precision of dialectical reasoning, specifically the 'digitalis' method of counting syllogistic arguments on the fingers.
As part of the Trivium, Logic was considered the essential 'tool' (Organon) for all philosophical and scientific inquiry in the Renaissance. This print reflects the period's synthesis of classical Aristotelian reasoning with the humanist emphasis on structured debate and the pursuit of objective truth.
3 Discerno a falſo cauto diſcrimine verum, Res dubiæ per me docta ratione probantur.
Translation
3 I discern the true from the false with careful judgment, Doubtful matters are tested by me through learned reason.
Aristotle
Aristotle's 'Organon' was the foundational text for the study of logic, and he is often the figure depicted debating with Logic in Renaissance iconography.
Martianus Capella
His work 'De nuptiis Philologiae et Mercurii' established the standard personifications for the Seven Liberal Arts used by artists like Goltzius.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.106346
Creative Commons Zero, Public Domain Dedication
3656 × 4920 px
f4d1006a93f2cf7e8337b61ee8c435de4257442d
November 6, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.