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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileMaria Magdalena Beroemde vrouwen uit het Nieuwe Testament (serietitel)
after Hendrick Goltzius
The central figure of Mary Magdalene is shown with long, flowing hair and tearful eyes directed toward heaven, clutching a decorated ointment jar. In the background to the left, a smaller scene depicts her kneeling to wash Jesus's feet at a table during a banquet. The foreground table features several smaller vessels, spoons, and a wooden box, emphasizing her role as the preparer of oils.
In Renaissance Neoplatonism and mystical theology, Mary Magdalene served as the primary archetype for the 'vita contemplativa' (contemplative life) and the soul's erotic-mystical longing for the Divine. Her sorrow was interpreted not just as regret for sin, but as the 'divine madness' or melancholy described by thinkers like Ficino, where the soul weeps for its separation from the celestial realm.
HGoltzius invent. J. Saenredam sculp. Illa pedes Christi lachrymis rigat, inde capillis Abluit, et purâ crimina mente dolet. G. Valck excudit. Balthasarus Schonçus
Translation
H. Goltzius invented. J. Saenredam engraved. She waters the feet of Christ with tears, then with her hair She washes them, and repents her sins with a pure mind. G. Valck published. Balthasar Schonc.
Marsilio Ficino
Ficino's Neoplatonic theories on 'divine madness' and the ascent of the soul through love and sorrow are reflected in the typical Mannerist portrayal of the weeping Magdalene's upward gaze.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.380660
Creative Commons Zero, Public Domain Dedication
4806 × 6808 px
26f517ac97b416c3f05125e7480d3be63521555f
December 27, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.