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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A kneeling Mary Magdalene, identified by her long hair and ointment jar, gazes upward at Christ on the cross in a landscape setting. The foreground contains a skull and femur bone, traditional symbols of mortality, while the distant background shows a circular temple in an idealized city. The engraving uses dynamic, rhythmic lines typical of the Haarlem Mannerist style to emphasize the emotional intensity of the scene.
This engraving originates from the circle of Hendrick Goltzius, whose work bridged the gap between religious devotion and the sophisticated artistic theories of the late Northern Renaissance. The print incorporates memento mori themes through the inclusion of the skull, a common element in esoteric and philosophical meditations on the vanity of the physical world and the necessity of spiritual transformation.
Cum privil. Sa. Ca. M. HGoltzius Inventor et excud. IMatham Sculp Ao. 1602 Magdalis effuso luget sua crimina fletu, In cruce pendentem Christum reverenter adorat. C. Schoneus.
Translation
With the privilege of His Sacred Imperial Majesty. HGoltzius inventor and publisher. IMatham sculptor. In the year 1602. Magdalene laments her sins with flowing tears, Reverently she adores Christ hanging on the cross. C. Schoneus.
Cornelis Schonaeus
The author of the Latin verse, Schonaeus was a Christian humanist and rector who provided intellectual framing for many of Goltzius's prints.
Object
Noord-Hollands Archief, Haarlem
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/2fc7a63d-d588-2d7a-8e53-4b59a78444dc
Public domain
2484 × 3812 px
6b2f2cf6a9effe2a19f2555cc9cc792be0ecc7f2
April 18, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.