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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileMisbruik van de rechtspraak Misbruik in procesvoering (serietitel) Litis Abusus (serietitel)
after Hendrick Goltzius
Four allegorical figures process up a set of stairs, each representing the burdens of a legal dispute. Litigiosus carries a heavy purse, followed by Patience and Impudence straining under massive sacks, while the gaunt figure of Poverty follows behind. They are received by a jurist in academic robes and a hooded figure standing before a classical portico.
This work critiques the spiritual and financial corruption inherent in the legal system, a major theme in the Dutch Humanist tradition. It is deeply connected to the Neo-Stoic and spiritualist philosophy of Dirk Volckertszoon Coornhert, who influenced the Haarlem Mannerists to prioritize inner peace over external contention and worldly litigation.
Litigiosus Patientia Impudentia Penuria Huic tria conueniunt : Patientia, Nulla pudoris 4 Cura, & Opes, mestae quem torquent crimine Lites. Hi behoeft dry sacken die met proces is gequelt, Een vol onschamelheit, een vol gedult, een vol gelt. Non contendas cum viro locuplete, ne forte contra te constituat litem tibi. Eccles. 8. Honor est hoi qui separat se a contentionibus : omnes autem stulti miscentur contumelijs. Pro. 20. C. Mallery sculp. Phls Galle excud.
Translation
Litigious Patience Impudence Poverty Three things befit him: Patience, no care for shame, And wealth, whom sad lawsuits torment with crime. He needs three things who is plagued by a lawsuit, One full of shamelessness, one full of patience, one full of money. Do not contend with a rich man, lest he perchance bring a lawsuit against you. Eccles. 8. It is an honor for a man to separate himself from contentions: but all fools are mingled with insults. Prov. 20. C. Mallery sculp. Phls Galle excud.
Dirk Volckertszoon Coornhert
The artist belonged to a circle heavily influenced by Coornhert’s moral philosophy, which viewed legal strife as a distraction from the path of spiritual perfection.
Sebastian Brant
The print shares the satirical and moralizing tone of Brant's 'Ship of Fools,' specifically regarding the folly of those who ruin themselves through lawyers.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.115316
Creative Commons Zero, Public Domain Dedication
5922 × 4354 px
1a98fbd9effee468a22782ddeb41ff321dfbe88a
November 19, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.