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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileMuziek (Musica) De zeven vrije kunsten (serietitel)
after Hendrick Goltzius
A woman in elaborate Renaissance dress plays a virginal while two figures behind her sing from a book, one holding a candle for illumination. Various instruments, including a lute and cornetts, hang on the wall in the background. This engraving illustrates the restorative and social aspects of the musical art within the classical educational curriculum.
In the Neoplatonic tradition of Marsilio Ficino, music was more than entertainment; it was a mathematical and spiritual tool used to harmonize the human soul with the 'Music of the Spheres.' As part of the Quadrivium, Music represented the application of number to time, serving as a bridge between the physical and divine realms.
5. Jucundo tristes oblecto carmine mentes, Depelloq' graves curas, relevoq' labores.
Translation
5. With a pleasant song I delight sad minds, And I drive away heavy cares, and I relieve labors.
Marsilio Ficino
Ficino's 'De vita libri tres' discusses the use of musical 'spiritus' and specific tones to heal the mind and align the soul with planetary influences.
Boethius
His 'De institutione musica' defined the medieval and Renaissance understanding of music as a mathematical science divided into musica mundana, humana, and instrumentalis.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.106348
Creative Commons Zero, Public Domain Dedication
3662 × 4964 px
575122381942bba3baaa57fb515ed7d86470df7e
November 6, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.