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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileNaarstigheid Deligentia (titel op object)
after Hendrick Goltzius
A woman in heavy, flowing drapery sits pensively, her hand resting near a distaff and spindle while an armillary sphere and several books lie at her feet. The scene is set within an arched hall featuring massive columns, with a separate page of Dutch text providing a moral commentary on the virtues of industry versus the vanity of the world. The composition emphasizes the harmony between physical labor and intellectual or spiritual study.
This allegory illustrates the tension between the 'active life' and 'contemplative life,' a core theme in Dutch Natural Philosophy and Christian Humanism. By linking Diligence to both the domestic spindle and the celestial armillary sphere, the work suggests that disciplined effort in the material world is a mirror for the cultivation of the inner soul.
Uytbeeldingh van DELIGENTIA EN VANITAS. Deligentia, Naerstigheyt. [Dutch text block regarding the virtues of industry and the examples of King Solomon, ants, and the virtuous woman from Proverbs] Vanitas vanitatem, Ydelheydt der ydelheden. [Dutch text block regarding the vanity of the world and the fall of biblical kings into idolatry] On the print: HGoltzius inventor. DELIGENTIA. Prov. 31:19 excudebat.
Translation
Depiction of DILIGENCE AND VANITY. Diligence, Industry. [Dutch text block regarding the virtues of industry and the examples of King Solomon, ants, and the virtuous woman from Proverbs] Vanity of vanities, Vanity of vanities. [Dutch text block regarding the vanity of the world and the fall of biblical kings into idolatry] On the print: HGoltzius inventor. DILIGENCE. Prov. 31:19 excudebat.
Proverbs 31
The inscription and accompanying text explicitly reference the 'industrious woman' of Proverbs as the primary exemplar of Diligence.
Dirck Volckertsz Coornhert
Goltzius was a pupil of Coornhert, whose ethical philosophy emphasized the moral perfection of the soul through diligent labor and the rejection of worldly vanity.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.451128
Creative Commons Zero, Public Domain Dedication
5826 × 4742 px
96d56cb6b5d76a2bb33e214f4851c4eea0674c54
January 1, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.