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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA young woman in contemporary dress stands in the foreground, holding a small ceramic jug while lifting the hem of her skirt. Behind her, an elderly man with a wrinkled face and a soft cap leans out of a window or over a stone wall, reaching toward her and the vessel. In the background, a large stone tower and a gabled building suggest an urban or courtyard setting.
This print belongs to the 'ill-matched couple' (Ongelijke liefde) genre, a popular moralizing theme in Northern European art that satirizes the folly of unions based on greed or vanity rather than virtue. This focus on human folly aligns with the satirical works of Northern Humanists like Erasmus and Sebastian Brant, who used such imagery to critique the imbalance of natural and social order.
1602 [HG monogram within a shield containing an eagle's head]
Translation
1602 [HG monogram within a shield containing an eagle's head]
Sebastian Brant
The 'Ship of Fools' (Das Narrenschiff) contains specific chapters satirizing the folly of old men seeking young wives and the transactional nature of unequal love.
Erasmus of Rotterdam
In 'The Praise of Folly,' Erasmus critiques the vanity of the elderly who try to buy or feign youth to attract younger partners, a central theme of this composition.
Object
Rijksmuseum, Amsterdam
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.509100
Creative Commons Zero, Public Domain Dedication
3957 × 7508 px
c0f0aea8baae6499342889e16ac25c459fbf2760
December 3, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.