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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileAn elderly man in a cap gazes longingly at a young woman who stands elegantly in the foreground, turning her head away from his advances. The man rests his hand on a ceramic vessel, which the Latin inscription identifies as a metaphor for finding a suitable 'lid' or partner. The scene is set within a stone architectural frame with a medieval tower visible in the background.
This work belongs to the moralizing tradition of the Haarlem Mannerists, using social satire to illustrate the importance of 'decorum' and natural order. It reflects the Dutch preoccupation with the proverb 'every pot finds its lid,' here applied to the philosophical idea that harmony requires a union of likes rather than opposites.
1602 Decrepitus juvenem lepidamque movere Puellam Conatur, turpi victus amore Senex: Cascus, ait, Cascam: Coopercula digna patella Quæro: Conjugij spes tibi nulla mei.
Translation
1602 The decrepit old man, overcome by shameful love, Attempts to stir the lovely young girl: "I, an old man," he says, "seek an old woman: I seek a lid worthy of the pot: You have no hope of marriage with me."
Karel van Mander
Van Mander was a close associate of Goltzius in Haarlem and wrote extensively on the moral and allegorical duties of the artist in Schilder-boeck.
Object
Rijksmuseum, Amsterdam
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.509101
Creative Commons Zero, Public Domain Dedication
3224 × 5076 px
a44926b841d2e49358c8ee9e197c082ef87324ce
December 3, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.