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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThis engraving depicts the popular 'Unequal Love' motif, showing a young suitor caressing the chin of a wrinkled woman. While the young man gazes at her with feigned affection, his hand rests near his sword, and the woman displays her wealth as the primary catalyst for their interaction. The scene is rendered with the characteristic swelling lines and detailed textures of the Haarlem Mannerists.
The print reflects Northern Renaissance moral philosophy, specifically the humanist critique of avarice and the subversion of natural order. It aligns with the satirical tradition found in Desiderius Erasmus's 'The Praise of Folly,' which ridiculed elderly individuals who used wealth to purchase the appearance of youth or the affection of the young.
HGoltzius Inuent. Jaques Goltzius sculp Visscher excu. Frigida cedat anus iuveni iuvenilia grata, non opibus capior, dulcis amore amor est. wijckt oudt cout vel al sijt ghij rijcke, de juecht verhuecht in huers gelycke.
Translation
H. Goltzius invenit. Jaques Goltzius sculpsit. Visscher excudit. Let the cold old woman yield to the youth, for youth loves youth; I am not captured by riches, sweet love is love. Give way, cold old woman, even though you are rich, youth rejoices in its equal.
Desiderius Erasmus
The theme of 'Unequal Love' and the folly of elderly suitors is a central satirical target in Erasmus's 'The Praise of Folly' (Moriae Encomium).
Object
Rijksmuseum, Amsterdam
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.117778
Creative Commons Zero, Public Domain Dedication
4098 × 5266 px
f1e357f7dbd6a6ba84786e65e6f34955dd425bf7
November 22, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.