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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileOpstanding van Christus De Passie (serietitel)
after Hendrick Goltzius
Christ is depicted emerging from a stone sepulcher, surrounded by a radiant halo of light and holding a triumphal banner. Two angels assist by lifting the heavy tomb lid, while Roman guards in the foreground react with astonishment or remain in a deep slumber. In the background to the left, the Three Maries are visible approaching the rocky entrance of the cave.
This engraving belongs to a series where Goltzius intentionally mimicked the style of Lucas van Leyden, reflecting the Renaissance concept of the artist as a 'Protean' figure capable of transforming nature and historical styles. In the Western esoteric tradition, the Resurrection is often interpreted as an archetype for the final stage of the alchemical Great Work—the transition from the darkness of the tomb (nigredo) to the glorified state of the perfected, incorruptible soul.
HG 1596
Jakob Böhme
Böhme's 'The Aurora' and 'The Way to Christ' use the Resurrection as the primary symbol for the spiritual transformation and the emergence of a 'new, celestial body' from material darkness.
Object
Rijksmuseum, Amsterdam
Engraving
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.88968
Creative Commons Zero, Public Domain Dedication
4144 × 5706 px
23820b80787fe3c0107d344ca89dfbff35a4bdde
December 26, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.