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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A muscular woman strides forward in a dynamic pose, representing the vice of Wrath. She wears a helmet crested with a cat and is flanked by a bear, both animals traditionally associated with ferocity and rage. In the background, a fortress or city burns, illustrating the physical destruction caused by this emotion.
As part of a series on the Seven Deadly Sins, this work reflects the Renaissance preoccupation with the 'passions of the soul' and the conflict between reason and animalistic impulse. It serves as a visual meditation on the moral philosophy found in both classical and Christian traditions regarding the loss of self-control.
Ira ferox, ratione carens, stimulata furore, Quodlibet aggredior feruida atroxq nefas.
Translation
Fierce anger, lacking reason, spurred by fury, I attempt any wickedness, fervent and cruel.
Prudentius
His 4th-century poem Psychomachia established the influential literary and visual tradition of personifying virtues and vices in combat.
Aristotle
The Nicomachean Ethics provides the philosophical basis for understanding the 'passions' like anger as deviations from the golden mean of reason.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/014e4944-ccef-0999-2ec1-1149f2185ce4
Public domain
2407 × 3599 px
1a86e64b36f350896535398f4cd19ea8ce4894ad
April 24, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.