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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Fides is depicted as a robust woman with a veiled head, looking down at the pages of an open book. In her right hand, she holds a simple wooden cross, while her surroundings include stone ruins and a leafy tree. The engraving exhibits the muscular, dynamic linework characteristic of the Haarlem Mannerist school.
This work represents the synthesis of Christian virtue and classical allegorical form central to the intellectual life of the Haarlem Mannerists. It reflects the humanist project of defining moral foundations through visual emblems during the religious and political shifts of the late 16th-century Netherlands.
HGoltzius invent Matham sculp Ao 1597. Sacra fides passim, nulli violanda, probatur, Devincit varias haec firmo foedere gentes. C. Schoneus. Joannes Janssonius exc.
Translation
H. Goltzius invent[ed] Matham sculp[ted] In the year 1597. Sacred faith, everywhere to be violated by no one, is put to the test, It binds together various peoples in a firm alliance. C. Schoneus. Joannes Janssonius publ[ished]
Cornelis Schonaeus
The Haarlem humanist and poet who provided the Latin distich accompanying this engraving.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/20295c10-6d40-237d-0b35-354292700b54
Public domain
2385 × 3534 px
8896a02a741845f08e2d3d50697068fc6b62ad0b
April 19, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.