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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A powerfully built figure stands in a shadowed alcove, their face twisted in a grimace of agitation and hair windswept. The figure grips the hilt of a sword, while above them in the corners are shields depicting a bear and a lion, traditional symbols of the choleric temperament. The work uses complex cross-hatching to create a sense of three-dimensional volume and dramatic tension.
This engraving belongs to a series on the Seven Vices and reflects the Renaissance preoccupation with the 'passions of the soul.' It illustrates the Neo-Stoic ideal of subordinating animalistic impulses to reason, a central theme in the moral philosophy and natural psychology of the late 16th century.
Quodlibet in facinus mortales concitat Ira, Ipsa sui impatiens, spreta ratione, modoq.
Translation
Wrath incites mortals to any crime whatever, Itself impatient, reason and measure scorned.
Seneca
His treatise 'De Ira' (On Anger) defines the vice as a 'temporary madness' that rejects reason, a sentiment echoed in the print's Latin inscription.
Henricus Cornelius Agrippa
In 'De Occulta Philosophia', Agrippa connects the passion of anger to the choleric humor and the planetary influence of Mars.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.105261
Creative Commons Zero, Public Domain Dedication
3264 × 5858 px
79dc6bf88b98c0ea63b70855a637b16ed7752dc5
November 4, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.