This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA character study or tronie depicting an aging man with detailed facial textures, including visible stubble and weathered skin. He is captured in three-quarter profile, wearing an oversized, soft hat and a thick fur collar rendered with rhythmic, swelling engraved lines typical of the artist's virtuosic style.
As a leader of the Haarlem Mannerists, Goltzius's character studies reflect the era's fascination with physiognomy—the natural philosophical study of how outward facial features reveal internal character or temperament. Goltzius himself was deeply involved in the intellectual circles of Haarlem and, according to biographer Karel van Mander, practiced alchemy, viewing the mastery of artistic media as a form of natural-philosophical inquiry.
HG Ao 97
Giambattista della Porta
Della Porta's influential 1586 work 'De humana physiognomonia' provided the theoretical framework for interpreting facial types in Late Renaissance art.
Karel van Mander
Van Mander's 'Schilder-boeck' provides the primary account of Goltzius's life, his artistic theories on nature, and his experiments in alchemy.
Object
Rijksmuseum, Amsterdam
Engraving
portrait
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.117754
Creative Commons Zero, Public Domain Dedication
3848 × 4918 px
bcf2be89afb74a2e407c94137db045b6d0a33cd8
November 22, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.