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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe subject is shown in three-quarter profile, his face rendered with fine stippling and line work to suggest aged skin and stubble. He wears a large, soft-brimmed hat and a heavy fur collar, standing against a background of simple cross-hatched lines. This work is a character study that explores the textures of the human face and clothing.
Hendrick Goltzius was a central figure in the Haarlem Mannerist circle, where artistic skill was often linked to Neoplatonic concepts of the inner 'Idea' and the study of nature. This portrait reflects the period's interest in physiognomy, the study of how physical appearance reveals an individual's temperament or soul, a topic widely discussed in natural philosophy.
HG Ao. 97
Giambattista della Porta
Della Porta's 'De humana physiognomia' (1586) reflects the era's fascination with how facial features reveal the internal character and natural constitution of a person.
Object
Rijksmuseum, Amsterdam
Engraving
portrait
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.223162
Creative Commons Zero, Public Domain Dedication
4780 × 5826 px
da1006cfb10978d4605459d4b923c721f6a6a480
November 17, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.