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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
This plate shows a pair of portraits within elaborate oval frames. The left side depicts a man in armor holding a helmet, symbolizing civic and military duty, while the right depicts a woman resting her hand on a skull, a classic memento mori symbol. The highly detailed borders contain grotesques, weaponry, and figures playing musical instruments, characteristic of the Haarlem Mannerist style.
These portraits by Hendrick Goltzius reflect the Neostoic and humanist values of the late 16th-century Dutch Republic, emphasizing virtue, duty to the state, and the philosophical contemplation of death. Goltzius was a central figure in the Haarlem circle of artists and thinkers who blended classical mythology with contemporary moral philosophy.
LEGES TVERI, ET PATRIAM DEVENDERE, ARMATVS ADSTO, ET PRO SALVTE CIVIVM, PERIRE FORTIS, SANGVINEMQVE EFFVNDERE. HAC VNA VIRTVS CIVIS, ET BONI DVCIS. SIVE TE BELLO DVCEM SEV PACE CIVEM POSTVLABIT PATRIA. REBECCA QVALIS, QVALIS AVT PARENS SARA: HAC VNA LEX EST CONIVGI VIRVM SEQVI. SEQVI PARATA. ENTOURAGES du graveur Henri Goltzius : ils encadrent le portrait de Noël Della Faille d'Anvers, B 212, et de Cornelia Capelle son épouse, B 213. LETTRINE XVIIIe siècle, typographie de J. Covens et C. Mortier à Amsterdam. (Cabinet des Estampes, Bruxelles).
Translation
ARMED, I STAND TO PROTECT THE LAWS AND DEFEND THE FATHERLAND, AND FOR THE SAFETY OF THE CITIZENS, I AM BRAVE TO PERISH AND TO SHED MY BLOOD. IN THIS ALONE LIES THE VIRTUE OF A CITIZEN AND A GOOD LEADER. WHETHER THE FATHERLAND SHALL REQUIRE YOU AS A LEADER IN WAR OR AS A CITIZEN IN PEACE. AS REBECCA, OR AS THE MATRIARCH SARAH: THIS ALONE IS THE LAW FOR A WIFE, TO FOLLOW HER HUSBAND. READY TO FOLLOW. ENTOURAGES by the engraver Henri Goltzius: they frame the portrait of Noël Della Faille of Antwerp, B 212, and of Cornelia Capelle his wife, B 213. 18TH-CENTURY INITIAL, typography by J. Covens and C. Mortier in Amsterdam. (Print Room, Brussels).
Dirck Volckertszoon Coornhert
Goltzius was a student of Coornhert, whose Neostoic philosophy on ethics and the 'Art of Living' heavily influenced the moralizing themes of these portraits.
Object
Engraving
portrait
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.720406
Creative Commons Zero, Public Domain Dedication
7344 × 5944 px
1e6ecae7aebb853dd947c8f711761a572b13926f
May 30, 2024
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.