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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileRetorica De zeven vrije kunsten (serietitel)
after Hendrick Goltzius
A semi-nude female figure representing the art of Rhetoric sits beside Mercury, who is portrayed here as an older bearded man. She wears a laurel wreath signifying poetic triumph and looks toward Mercury as he gestures with his snaked-entwined staff over an open book. This engraving is the fourth plate in a series dedicated to the Seven Liberal Arts.
In the Renaissance, Rhetoric was viewed not merely as public speaking but as the divine power of the Word (Logos) to move the soul and the cosmos. Its association with Mercury (Hermes) highlights the Hermetic belief in the sacred nature of language and its role in the mediation between the human and divine realms.
4 Per me formatur facunde gratia linguę, Ætherei qua Dij, regesq[ue] ducesq[ue] moventur.
Translation
4 Through me the grace of eloquent tongue is formed, By which the Gods of the ether, and kings and leaders are moved.
Martianus Capella
His 5th-century work 'De nuptiis Philologiae et Mercurii' established the Seven Liberal Arts as the handmaidens of Mercury, a core theme in Renaissance iconography.
Hermes Trismegistus
As the patron of eloquence and communication, Mercury/Hermes embodies the Hermetic principle of the power of the spoken and written word.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.482470
Creative Commons Zero, Public Domain Dedication
3790 × 5270 px
2631c3c5bdd57316799e6ac39b6be7be19a88a9c
January 5, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.