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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA man in a ruffed collar holds a single rose to his nose while embracing a woman who holds a large basket of blooming flowers. A dog rests at the man's feet, and a vase of flowers sits on a ledge in the background. The scene is framed by a Latin verse at the bottom that warns of the bitterness hidden beneath sweet scents.
This print is part of a series on the Five Senses, reflecting the Northern Renaissance effort to classify human perception within the framework of natural philosophy. The moralizing inscription connects the sensory experience to the 'vanitas' tradition, suggesting that worldly pleasures are deceptive and fleeting.
Quamuis floriferus sit gratus naribus hortus , Sepæ tamen dulci fel sub odore latet .
Translation
Although a flower-bearing garden is pleasing to the nostrils, Yet bile often lies hidden beneath the sweet scent.
Aristotle
The classification of the five senses as the primary modes of human perception originates in Aristotelian natural philosophy, which informed 16th-century allegorical art.
Hendrick Goltzius
Goltzius was a leading Haarlem Mannerist whose work frequently translated complex philosophical and mythological themes into intricate engravings.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.533044
Creative Commons Zero, Public Domain Dedication
5506 × 7530 px
8fa515302fffe90a3a63e8342754849933e3d573
January 3, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.