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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileTwo figures are seated in a landscape: on the left, a painter holds a book and sits before an easel; on the right, a scholar in a ruff and robes gestures while speaking, sitting upon a stack of large volumes. The scene illustrates the transmission of knowledge and the relationship between the visual and literary arts. The figure on the right represents Mercury, the messenger of the gods, who brings divine 'facundia' (eloquence) to human craft.
This work embodies the Renaissance Neoplatonic concept of the artist as a divinely inspired creator, specifically within the Haarlem Mannerist circle of Goltzius and Karel van Mander. The inscription identifies the speaker as a divine mediator—likely Hermes/Mercury—who bridges the gap between the gods and 'unskilled mortals' through the gift of the liberal and mechanical arts.
Me Diis commendat facundae gratia linguae, Et varias rudibus monstro mortalibus artes. L. Löwenstam
Translation
The grace of a fluent tongue commends me to the Gods, And I reveal various arts to the unlearned mortals. L. Löwenstam
Karel van Mander
Van Mander's Schilder-boeck established the theoretical and Neoplatonic framework for the arts in the Haarlem circle of Goltzius.
Hermes (Mercury)
The inscription invokes Mercury's role as the god of eloquence and the bringer of the arts (Hermetic wisdom) to humanity.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.499612
Creative Commons Zero, Public Domain Dedication
5024 × 4094 px
6ab4bbde81fa542406e90934bb07932ae48caff6
January 6, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.