This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileSense of Smell (copy)
A man in a ruff collar holds a single rose to his nose while resting his hand on the head of a dog, an animal traditionally associated with keen scent. To his right, a woman carries a large basket of flowers, and a formal floral arrangement sits in a vase on a ledge behind them. A two-line Latin inscription at the bottom warns the viewer that bitterness often hides beneath sweet fragrances.
This print reflects the Renaissance philosophical preoccupation with the five senses as the interface between the material world and the human intellect. In the context of natural philosophy and moral thought, such allegories served to remind viewers of the transitory and sometimes deceptive nature of physical pleasure.
Quamuis floriferus sit gratus naribus hortus, Sepæ tamen dulci fel sub odore latet.
Translation
Although a flower-bearing garden is pleasing to the nostrils, Yet bile often lies hidden beneath the sweet scent.
Aristotle
Aristotle's 'De Anima' provided the foundational philosophical framework for the five senses used by Renaissance artists and thinkers.
Cesare Ripa
Ripa's 'Iconologia' codified the use of specific attributes, such as flowers and dogs, to represent the sense of smell.
Object
The Metropolitan Museum of Art
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2614 × 3722 px
345f3a3c703c54356c7b6e406212ee6c7400d17b
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.