This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA soldier stands in a dynamic, swaggering pose, wearing a voluminous slashed doublet, a large plumed hat, and puffed breeches. He holds a halberd over his right shoulder and points toward a landscape where troops are massing near a city. The engraving uses swelling and tapering lines to emphasize the physical presence and muscular calves of the figure.
This print is part of a series depicting the bodyguard of Emperor Rudolf II, whose court in Prague was the primary late 16th-century center for Hermeticism, alchemy, and the occult sciences. While the subject is military, it represents the 'active life' (vita activa) and the Virtù celebrated within the Mannerist circles that sought to unify physical prowess with intellectual and artistic refinement.
HG. excu. Ante ferox Signanus ago promptum agmen ad arma, Haudq; parum debent parta trophaea mihi.
Translation
HG. excu. Once fierce, I, a man of Signia, lead the ready column to arms, And not a little do the trophies gained owe to me.
Karel van Mander
Van Mander was Goltzius's close collaborator and biographer who theorized the Mannerist style and its moral/philosophical underpinnings in his 'Schilder-boeck'.
Object
National Gallery of Art, Washington
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2936 × 4000 px
c0a6721d9f32a9c20f28c33d4f8a33d2a10cfef6
September 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.