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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A woman in voluminous, billowing robes stands in a dynamic, twisted pose, looking upward at rays of light breaking through the clouds. She rests her weight against a large ship's anchor, while a bird perches on her hand. The background features a serene coastal landscape with sailing ships and a distant fortified city on a cliffside.
As one of the three Theological Virtues, Hope is depicted here through standard Renaissance iconography, emphasizing the soul's upward aspiration and stability (the anchor) through earthly trials. This work reflects the moral and philosophical concerns of the Haarlem Mannerists, who often explored the intersection of Christian virtue and Neo-Stoic endurance.
2 Solamen Spes alma hominum, Fidei anchora sacra , Ærumnis nostris præmia digna vouet .
Translation
2 Solace, the nourishing hope of men, the sacred anchor of Faith, Vows worthy rewards for our hardships.
Cesare Ripa
Ripa's Iconologia codifies the use of the anchor and the upward gaze as the standard attributes for the personification of Hope.
Justus Lipsius
The Neo-Stoic philosophy of Lipsius, popular in Goltzius's circle, emphasized the virtue of 'Constantia' and hope as tools for enduring the political and religious upheavals of the era.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/6a24860f-7eab-4a44-8583-34091e46f762
Public domain
2330 × 3480 px
09216163235a01a7308ec84bdb6244a8ba121b07
April 22, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.