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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA young man and woman in contemporary Dutch dress stand in a blossoming landscape, surrounded by symbols of fertility and growth. The man offers a nest of hatchlings for the woman to see, while she wears a garland of flowers and Cupid hovers in the sky above them. The scene is framed by a massive tree on the left and a distant view of a village, emphasizing the seasonal renewal of both nature and human society.
This engraving is part of a series on the Four Seasons, reflecting the Renaissance philosophical concept of the correspondence between the macrocosm of the celestial cycles and the microcosm of human life. It illustrates the connection between the earthly seasons and the four temperaments, specifically the sanguine nature associated with the vitality of Spring and the element of Air.
HGoltzius inuent. I. Saenredam sculpt. Cum privil. Sa. Ca. M. Ao 1601. Humanas recreo mentes, volucreśq[ue] ferasq[ue]: Omnia floriferi lætantur tempore veris. C. Schoneus 1 CJVisscher exc.
Translation
H. Goltzius invenit. I. Saenredam sculpsit. With the privilege of His Imperial Majesty. In the year 1601. I refresh human minds, and birds, and beasts: All things rejoice in the time of flower-bearing spring. C. Schoneus 1 C. J. Visscher excudit.
Cornelis Schonaeus
The Latin verse at the bottom was composed by Schonaeus, a Christian humanist and poet, to provide the moralizing and philosophical context for the allegory.
Object
National Gallery of Art, Washington
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2910 × 4000 px
0a597b3faf71142e7d74ca0cf6a9067840df41ea
September 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.