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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe monumental figure of Saint Andrew leans against the X-shaped cross of his martyrdom, characterized by the powerful musculature and dramatic drapery typical of Northern Mannerism. In the midground, the saint is shown being tied to the cross and beaten by executioners, set within a landscape filled with pagan symbols including a sphinx and a circular temple. The engraving employs complex hatching and swelling lines to create a sense of three-dimensional weight and tension.
Hendrick Goltzius was a central figure in the Haarlem Mannerist circle, an artistic movement deeply intertwined with the intellectual and esoteric culture of the late 16th century. This print demonstrates the movement's focus on reconciling classical antiquity—represented by the sphinx and Roman architecture—with Christian theological narratives through highly stylized and symbolic visual language.
S. Andreas. Retibus Andreas atq[ue] grata naue relicta, Authorem vitę Christum per cuncta secutus, Sacra salutiferi cum pandit dogmata Christi, Brachia lęta Cruci extendit, et astra petiuit. 2. Aux. 4 vents.
Translation
St. Andrew. Andrew, having left his nets and beloved ship, Followed Christ, the author of life, through all things; When he spread the sacred teachings of the life-giving Christ, He joyfully extended his arms to the Cross, and sought the stars. 2. Aux. 4 winds.
Karel van Mander
Van Mander was a close associate of Goltzius and the primary theorist of the Haarlem Mannerists, emphasizing the use of 'classicizing' motifs in sacred art.
Object
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
Cleveland Museum of Art
Public domain
3400 × 2779 px
91721982b992872817b9861c95c8923b4683eb87
December 24, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.