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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe engraving features St. James the Great in the foreground, identifiable by his pilgrim's staff, gourd, and a book. In the background, the narrative unfolds as the saint kneels with crossed arms while an executioner prepares to strike, surrounded by Roman soldiers and spectators on horseback. The setting combines classical ruins with contemporary Renaissance architecture, including a prominent dome.
Hendrick Goltzius was a leading figure of the Haarlem Mannerists, a circle whose aesthetic focused on the 'hand' of the artist as a reflection of divine creativity. This series of Apostles demonstrates the transition of late-medieval hagiography into the high-technical mastery of Dutch Mannerism, bridging the gap between traditional religious devotion and the intellectual humanism of the early modern period.
S. Jacobus major. Ipse redemptoris pandens oracula Christi, Quam late sese tellus extendit Ibera, 3. Tandem colla dedit gladio ferienda Jacobus, Cuius corpus adhuc pia Compostella tuetur. Aux. de ventr.
Translation
St. James the Greater. Himself spreading the oracles of Christ the Redeemer, How far and wide the Iberian land extends, 3. At last James gave his neck to be struck by the sword, Whose body pious Compostella still guards. Help for the belly.
Jacobus de Voragine
The narrative of St. James's preaching in Iberia and his martyrdom at the hands of Herod is primarily derived from The Golden Legend.
Object
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
Cleveland Museum of Art
Public domain
3400 × 2599 px
536235e9c32578de024822d18474c9056f676c67
December 24, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.