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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileSt. John stands in the foreground, gesturing toward a chalice that represents the attempt to kill him with poisoned wine. Behind him, the narrative continues with scenes of him drinking the poison while two men lie dead at his feet, and in the far distance, he is shown unharmed in a vat of boiling oil. The scene is rendered with the dramatic, muscular figures and complex spatial arrangements typical of late 16th-century Dutch engraving.
This print emphasizes the physical incorruptibility of the Saint, a theme that resonates with the esoteric concept of the 'refined' body found in Neoplatonic and Hermetic thought. John's association with the Logos and his survival of fire and poison made him a central figure for later Christian mystics who viewed his life as a testament to the power of the Spirit over material corruption.
S. Joannes. 4. Diuus Joannes speculum pudoris honesti, Quem nec flamma olim nocuit, nec plena veneno Pocula, cum fidei iecit fundamina sancte, In summo tandem senio migrauit ad astra. Aux. A. Ventis.
Translation
St. John. 4. Divine John, mirror of honest modesty, Whom neither flame once harmed, nor cups full of poison, When he cast the foundations of the holy faith, Finally, in extreme old age, migrated to the stars. Aux. A. Ventis.
Jacobus de Voragine
The Legenda Aurea (Golden Legend) is the primary hagiographic source for the episodes of the poisoned cup and the cauldron of oil depicted here.
Object
Engraving
religious
Digital Source
Wikimedia Commons · Public domain
Cleveland Museum of Art
Public domain
3400 × 2704 px
477f7448cbba6b9a3f547866ef566d01b8ff96ec
December 24, 2020
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.