This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe apostle is depicted in a half-length portrait against a rugged, rocky background, looking upward with a hand pressed to his chest in a gesture of faith. He holds a small book, and on the stone ledge in front of him lies a large club, the instrument of his martyrdom. The print uses dense, swelling lines characteristic of the artist's sophisticated engraving technique.
This work belongs to a series that maps the twelve articles of the Apostles' Creed onto the individual apostles, a popular didactic theme in late 16th-century Northern European art. As a leading figure of the Haarlem Mannerists, Goltzius's work represents the peak of technical virtuosity in printmaking during the transition between the Renaissance and the Baroque.
Judas HG. f. XI. CARNIS RESVRRECTIONEM. 12.
Translation
Judas HG. f. XI. THE RESURRECTION OF THE FLESH. 12.
Apostles' Creed
The print illustrates the eleventh article of the creed, 'the resurrection of the body' (Carnis Resurrectionem).
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
1648 × 2293 px
927a851d78ea0a48f3c174c7d274c3b47972d467
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.