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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA central armored woman stands atop a hill, holding a tall spear and overlooking a valley where laborers construct massive stone fortresses. On the ground at her feet lies a heap of discarded weapons, including swords and a mace, while in the background, a ship sails on the water. The scene captures the transition from a state of nature to one of human industry, architecture, and the tools of war.
This work belongs to a series illustrating the decline of humanity through the four world ages as described in Ovid's 'Metamorphoses.' The concept of cyclical history and the descent from a Golden Age was central to Renaissance Neoplatonic and Hermetic interpretations of human morality and the Great Year.
3 Oppida cum castris meditari tertia cepit, Ferrato et Marti sternere Ahena viam. Et fluctus sulcare feros, ventosq. furentes Carbaseo impigre spernere fisa sinu.
Translation
3 The third began to contemplate towns along with camps, And to pave the way for iron-clad Mars with bronze. And to furrow the fierce waves, and to scorn the raging winds With the trusting bosom of the canvas sail, unweariedly.
Ovid
The engraving is a visual representation of the Age of Bronze as described in Book 1 of the Metamorphoses.
Object
National Gallery of Art, Washington
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
4000 × 2836 px
5a840b2cec77172c9d32fd0455e8967da6454d02
September 11, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.