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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileChrist's lifeless body is central, supported by figures in heavy drapery as they prepare to seal him in a rocky tomb. In the foreground, the crown of thorns lies on the ground near Mary Magdalene, who kneels in grief beside her ointment jar. The scene uses dense, swelling cross-hatching to create a sense of deep physical weight and sorrow within the cavernous space.
This work belongs to Goltzius's 'Passion' series, created in the 'protean' style that imitated historical masters like Lucas van Leyden to demonstrate the artist's technical and intellectual mastery. This exercise in stylistic mimicry relates to Renaissance Neoplatonic ideas regarding the artist as a creator who can assume any form, mirroring the multifaceted nature of the soul.
11 [bottom left corner] HG [monogram on the side of the tomb] 1596
Karel van Mander
Van Mander, a contemporary and biographer of Goltzius, theorized the 'protean' nature of the artist's talent in his Schilder-boeck, linking technical mastery to higher intellectual virtue.
Giovanni Pico della Mirandola
Goltzius's ability to transform his style is often compared to the Neoplatonic concept of man as a 'Proteus' capable of self-transformation, as described in the Oration on the Dignity of Man.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2273 × 3406 px
67cd68b16229a15e10cc36da86e9df3ebc67e53a
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.