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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileChrist rises into the heavens holding a victory banner, framed by a radiant burst of light and swirling clouds. A winged angel sits prominently on the tomb's entrance, gesturing toward the miracle, while soldiers in contemporary 16th-century armor recoil in terror or remain in a deep sleep. In the distant background, the Three Marys are seen approaching the tomb with jars of ointment.
In the late 16th century, the Resurrection was often interpreted by Christian Kabbalists and Hermeticists as the ultimate symbol of the 'Body of Light' and the spiritualization of matter. As a leader of the Haarlem Mannerists, Goltzius's technical precision served to bridge the gap between religious devotion and the intellectual pursuit of understanding the divine through art.
HG 96
Heinrich Khunrath
Khunrath, a contemporary of Goltzius, used the Resurrection as an emblem for the alchemical completion (Rubedo) in his 'Amphitheatrum Sapientiae Aeternae'.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2278 × 3444 px
bd4643e5c9bdd6d40753658de19d9b9d46f80f00
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.