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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileAn elderly, muscular Peneus presides over a group of reclining figures at the source of a river. Several deities hold overturned urns that pour water into the stream, while the surrounding landscape features dense, stylized foliage and a distant mountain. The engraving displays the characteristic swirling line work and exaggerated anatomy of late 16th-century Dutch Mannerism.
Part of a series illustrating Ovid’s Metamorphoses, this work reflects the Renaissance interest in classical mythology as a repository for natural philosophy and Neoplatonic allegory. Goltzius, a central figure in the Haarlem Academy, produced these images for an audience that viewed the transformations of nature as mirrors of spiritual and physical reality.
Emonio manans Pindo Peneus amena Rupe sedens Nymphas fluminaq[ue] alta citat. Te velox Amphryse, et te Sperchye fluentis Vndantem rapidis, Apidanumq[ue] senem. 15.
Translation
Flowing from Haemonian Pindus, Peneus Sits on a rock and calls the Nymphs and deep rivers. You, swift Amphrysus, and you, Spercheus, Surging with rapid currents, and aged Apidanus. 15.
Ovid's Metamorphoses
This print illustrates Book I of the Metamorphoses, a foundational text for Renaissance allegorical and esoteric interpretations of nature.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31885587-O3.jpg Gallery: http://collections.lacma.org/node/238089 archive copy at the Wayback Machine
Public domain
2100 × 1454 px
a41d1eb6ef98e53d67f8b7b05af1b63f84e36a90
July 19, 2013
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.