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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileGod the Father is shown at the top of the composition, reaching down from turbulent clouds to shape a massive, dark sphere of unformed matter. Two powerfully built male figures stand on clouds below, holding cords attached to radiant celestial bodies representing the Sun and Moon. The entire scene is enclosed in a circular frame, emphasizing the cosmic and cyclical nature of the divine creative act.
This work represents the 'Massa Confusa,' a concept central to both Renaissance Neoplatonism and alchemy, where God orders a chaotic 'prime matter.' The inscription's reference to man as 'partaker of the divine mind' (divinaeque consors mentis) echoes the Hermetic view of humanity's unique spiritual status and intellect.
Principio Omnipotens immensi conditor orbis Esse polum iussit terraeq[ue] immobile pondus, Hinc lucem tenebris remouet, noctemq[ue] diemq[ue] Nuncupat; et longis spatijs mox segregat undas, Aequora secernit terris: vos Lunaq[ue], Solq[ue] Praefectos dedit; hinc animalia cuncta creauit. Post haec natus homo est caelesti afflatus ab aura, Diuinae q[ue] consors mentis, dominusq[ue] priorum. F. Estius. A. 1589. HGoltzius Inuent. et excud. Iohan Muller sculpsit
Translation
The Almighty Principle, Creator of the immense sphere, Bade the sky exist, and the immobile weight of the earth; Thence He removed light from darkness, and named night and day; And soon, over long spaces, He separated the waters, He severed the seas from the lands: to you He gave the Moon and the Sun As prefects; thence He created all living things. After these, man was born, inspired by a celestial breeze, A partner of the divine mind, and master of those before him. F. Estius. Year 1589. HGoltzius designed and published. Iohan Muller engraved it.
Hermetica (Poimandres)
The depiction of the Divine Mind (Nous) shaping the watery, dark elements of chaos parallels the creation myth in the first book of the Corpus Hermeticum.
Ovid, Metamorphoses
The Latin verse describes the separation of light from dark and the elements, following the structure of Ovid's account of the transition from Chaos to Order.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
3420 × 3453 px
8e21e5f306a26cf2b6ac173a3e052cb54aee68ee
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.