This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Two partially nude women stand in a lush forest setting; one holds a large ceramic pitcher while the other stands over a dead hare, a symbol of the hunt. The figures display the muscular, voluminous proportions and complex poses characteristic of the Dutch Mannerist style. The background features dense foliage and a winding stream, rendered with intricate cross-hatched engraving techniques.
This work represents the Northern Renaissance's intense engagement with Ovidian mythology and the Neo-Stoic ideals of the Haarlem circle, where Diana's nymphs served as archetypes of the active life and the purity of nature. It exemplifies the intellectual culture of late 16th and early 17th-century Haarlem, where artists blended classical philology with high-technical virtuosity.
HG. invent. I. Saenred. sculp. 3 Atque genu, collo, blandis nudaq[ue] lacertis.
Translation
HG. inventor. I. Saenred. sculptor. 3 And with knee, neck, and smooth naked arms.
Ovid
The Latin inscription is a direct quotation from Book II of the Metamorphoses, specifically describing the nymph Callisto.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
https://lib.ugent.be/catalog/rug01:001990061/items/910000175642
Public domain
2864 × 3999 px
477e82e81ea78023f505785ee076185378a4ce06
March 2, 2025
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.