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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Venus sits centrally while Bacchus raises a wine cup on the left and Ceres rests in the foreground with her back to the viewer, surrounded by a harvest of grain and fruit. Behind Venus, Cupid holds both wheat and grapes, physically linking the sources of sustenance to the goddess of love. The figures exhibit the heavy, muscular anatomy and complex, twisting poses typical of the Dutch Mannerist style.
This work visualizes the aphorism 'Sine Cerere et Baccho friget Venus' (Without Ceres and Bacchus, Venus freezes), a theme common in Renaissance natural philosophy and moral emblems. It explores the necessity of material sustenance—food and wine—to maintain the heat of passion, reflecting broader early modern interests in the relationship between physical humors and the soul.
3. HG. Inuent.
Terence
The engraving is a visual representation of a line from the Roman playwright's work 'Eunuchus,' which became a staple of Renaissance moral and philosophical thought.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2889 × 4000 px
70b58bf1a5be12af631eaaa7fd482396a1f0f7c1
September 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.