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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileVenus is depicted in a highly stylized, elongated pose characteristic of Dutch Mannerism, resting upon billowing clouds. Beside her, Cupid reaches over her shoulder with a single arrow, his quiver resting nearby next to a pair of billing doves. The central scene is framed within an oval, decorated at the corners with detailed engravings of artichokes and flowers.
This work illustrates the Neoplatonic concept of 'Amor' as a universal governing force that binds the cosmos together. The accompanying Latin verses emphasize that neither gods, humans, nor animals are exempt from the influence of Love, echoing the philosophical arguments found in Renaissance commentaries on Plato's Symposium.
Immenso nostrum spectatur numen in orbe, Et magnam passim vim meus ignis habet. Non Dij, non homines ulli mea spicula vitant, His volucres figo, squamigerumq; genus. HG 3
Translation
My immense divinity is beheld throughout the world, And my fire possesses great power everywhere. Neither gods nor any men escape my darts, With these I pierce the winged, and the scaly race. HG 3
Marsilio Ficino
Ficino's 'De Amore' (Commentary on Plato's Symposium) established the philosophical framework for Venus and Cupid as symbols of the cosmic attraction that holds the universe in harmony.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
[1]
Public domain
5502 × 7176 px
9d332e49b0679ad85d232e8307239211c06700f1
November 23, 2016
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.