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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A semi-nude Venus dominates the foreground, her hair swirling in the wind as she holds the golden apple awarded to her by the shepherd Paris. To her left, a winged Cupid gazes up at her while clutching his bow, and in the distant background, a small vignette illustrates the moment Paris chooses Venus over Hera and Athena. The engraving features the characteristic muscular elegance and dynamic line-work of the Dutch Mannerist style.
Venus represents the Neoplatonic ideal of beauty and the irresistible power of love, an idea central to the humanist philosophy of the Haarlem Mannerists. The 'Judgment of Paris' was frequently used in esoteric and philosophical circles as an allegory for the choice between three modes of life: the contemplative (Minerva), the active (Juno), and the voluptuous (Venus).
Aligero magnas armata Cupidine vires Cypris habet, summos nec timet illa Deos. HG [monogram] Inuentor. Ja. Matham sculp: 1611
Translation
Armed with great strength by winged Cupid, Cypris holds power, nor does she fear the highest Gods. HG [monogram] Inventor. Ja. Matham sculptor: 1611
Marsilio Ficino
Ficino's Neoplatonic commentary on the nature of Venus (Venus Coelestis vs. Venus Vulgaris) informed the intellectual climate in which this work was produced.
Karel van Mander
Goltzius's close associate Van Mander provided the theoretical framework for interpreting mythological figures as moral and philosophical allegories in his Schilder-boeck.
Object
Noord-Hollands Archief, Haarlem
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/113c80c6-64e5-8d34-fb52-2f7aba54eb58
Public domain
2549 × 3651 px
cfc4a6e2ceb5933fb15902f776b67c1fb0fe7d33
April 24, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.