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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileVerkeerde overtuiging vervreemt de wereld van de waarheid Verkeerde overtuiging richt de wereld te gronde (serietitel)
after Hendrick Goltzius
A man wearing a fool's cap and brandishing a sword stands inside a ritual circle inscribed with planetary symbols, symbolizing a world blinded by earthly illusions. On the left, False Opinion holds a book and ignores the scene, while on the right, the nude figure of Truth points upward to the divine, as Justice is seen fleeing in the background. The scene is filled with objects of ritual and study, including a candle, a mortar, and various vessels scattered around the magic circle.
This allegory illustrates the Renaissance philosophical struggle between 'Doxa' (opinion) and 'Aletheia' (truth), utilizing the motif of 'fascinatio' (bewitchment) found in the era's natural magic and moral philosophy. It specifically draws on Neoplatonic ideas regarding the soul's entrapment in material deception, as reinforced by the biblical citations regarding the 'bewitching of vanity'.
Opinio Mundus fascinatus Veritas Justitia Ergo inimicus vobis factus sum verum dicens vobis? Galat. 4. Fascinatio enim nugacitatis obscurat bona, et inconstantia concupiscentie transvertit sensum sine malitia. Sapien. 4. Valssce Waen den Werlt so betouert en bedriecht: Dat hi trouwe Waerheit haet, des het recht vervlicht.
Translation
Opinion The world fascinated Truth Justice Am I therefore become your enemy, because I tell you the truth? Galat. 4. For the bewitching of vanity obscureth good things, and the wandering of concupiscence overturneth the innocent mind. Wisdom 4. False is the way the world is so bewitched and deceived: That it hates loyal Truth, and flees from justice.
Book of Wisdom (Sapientia)
The inscription quotes Wisdom 4:12, 'fascinatio nugacitatis obscurat bona,' connecting the image to the theological concept of worldly vanity as a form of bewitchment.
Heinrich Cornelius Agrippa
Agrippa's 'De Occulta Philosophia' defines 'fascinatio' as a binding of the spirit through the senses, a concept central to the figure of Mundus fascinatus.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.collect.98193
Creative Commons Zero, Public Domain Dedication
5022 × 4234 px
6c21d4c91291f67de99fb20d0432506bbfb6d67b
December 30, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.