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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A gargantuan sperm whale lies on its side on a sandy beach, dominating the foreground of this detailed engraving. Crowds of people from various social classes, including gentlemen on horseback and laborers with barrels, swarm around the creature to inspect it or harvest oil. In the background, the Dutch coastline stretches toward the horizon under a sky filled with a flight of birds and several ships in the choppy sea.
In the late 16th century, the stranding of a whale was interpreted as a 'prodigy' or an omen, signaling divine messages or impending political upheaval. This print reflects the transition from medieval superstition to empirical natural philosophy, where such 'monsters' were meticulously documented as part of the study of the Book of Nature.
Ingens caeruleo iactatus gurgite cetus Quae prohibente minas Catthorum littora vidit, De soute goluen wreed afgrondich omghewolt door onwedersche locht met winden stijf ghesmeten, hebben dusch eenen visch bij Catwijck aenghespoelt ons t' wonder werck van Godt wt diept der zee doen weten Qualis Atlantiaci terror, Ballæna profundi, Cum vento motuue suo telluris ad oras vijf en vijftich langh ghemeten, en derthich dick, in Sprockel derden dach Sestien hondert min twee men schreef, maer hoe gheheten onder walvisch gheslacht men sulcke tellen plach. Pellitur, et sicca subsidit captus arena; Quem christi famat damus, populoq loquendum. Met een verwondert hert hem menich oogh aensach, des menich tongh en mont den Heere moeste louen: want nimmermeer ghenoegh men hem gherijsen mach wiens hooghste weerd alleen, gaet alle lof te bouen. T. Screvelius I. Matham. sculp. A°. 1598.
Translation
A huge whale, tossed by the azure gulf, Which, with the winds forbidding, saw the shores of Katwijk, Tossed about by the cruel bottomless salt abyss, Thrown by stormy air with stiff winds, Thus a fish has washed ashore at Katwijk, Making known to us the wonder-work of God from the deep of the sea. Like the terror of the Atlantic, the whale of the deep, When by wind or its own motion to the shores of the earth Fifty-five long as measured, And thirty thick, on the third day of February, Sixteen hundred minus two was written, but how named Among the whale kind one is wont to count such. It is driven, and settles caught upon the dry sand; Which we give to the fame of Christ, for the people to speak of. With an astonished heart many an eye looked upon him, For which many a tongue and mouth had to praise the Lord: For never enough can one extol Him, Whose highest worth alone surpasses all praise. T. Screvelius I. Matham, sculp. A°. 1598.
Conrad Lycosthenes
Whales were categorized as 'prodigies' or ominous natural anomalies in Lycosthenes' influential catalog of omens, the Prodigiorum ac ostentorum chronicon.
Hendrick Goltzius
The artist himself visited the site to record the whale's appearance, demonstrating the era's growing emphasis on eyewitness observation in natural history.
Object
Rijksmuseum, Amsterdam
Engraving
landscape
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.368228
Creative Commons Zero, Public Domain Dedication
6268 × 4652 px
c749ecf22991949043ea963284de53a3fcfb9ec6
December 22, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.