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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A man in a heavy cloak, feathered hat, and skates holds the hand of a woman dressed in a high-collared ruff and thick winter gown. They are part of an allegorical series representing the Four Seasons, set against a detailed landscape featuring bare trees and a windmill. The composition emphasizes the fashion and social leisure of the Dutch elite during the winter months.
This work belongs to a cycle of the Four Seasons, a popular theme in Renaissance natural philosophy that correlates the macrocosmic cycle of the year with human life and the four humors. The inscription characterizes Winter as the consumer of the year's labor, reflecting the period's interest in the cyclical nature of time and the divine order of the physical world.
HG. Invẽt. J.S. sculp. 4 Accumulant homines totum quecunqꝫ per annum , Hec ego consumo, soli hec mihi cuncta parantur . 4 C. S.
Translation
HG. Inv. J.S. sculp. 4 Men accumulate everything whatsoever throughout the year, This I consume, for me alone are all these things prepared. 4 C. S.
Cornelis Schonaeus
The Neo-Latin poet who provided the moralizing distich at the bottom of the print identifying Winter as the consumer of the year's harvest.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/ae1ceaea-ca1a-607c-bdfc-9860da8dfec2
Public domain
2313 × 3207 px
3e4a072a82c736e76ffd9375040c47a8d16b8918
April 19, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.