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Original fileHolbein Danse Macabre 17
In this woodcut, a figure of Death, depicted as an animated skeleton, leans close to a Cardinal who wears traditional ecclesiastical vestments, including a fur-trimmed mozzetta. Death holds a large hourglass up to the Cardinal, signaling the exhaustion of his time, and guides him forward by the arm. To the right, a bearded layman in a contemporary 16th-century doublet and feathered cap looks on, clutching a bag or purse at his waist with one hand and holding a staff in the other. The scene is set within a stone-vaulted architectural interior with an arched entryway.
This work is part of Hans Holbein’s iconic 'Danse Macabre' series, which democratized the memento mori tradition by showing Death claiming figures from all social strata, from the Pope to the plowman. It reflects the Reformation-era preoccupation with the transience of worldly authority and the inevitability of divine judgment.
Hans Holbein the Younger
Holbein designed the series, which was cut into blocks by Hans Lützelburger.
Les Simulachres et historiees faces de la mort
This image appeared in the 1538 publication of Holbein's woodcut series, commonly titled the 'Dance of Death'.
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