This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.

Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis monochromatic print is organized into distinct scenes set within stylized clouds. In the upper register, a demon suspends a naked figure from a cross-shaped wooden frame while another demon observes; above them, a figure hangs from a banner. In the lower register, a horned demon operates a large frame saw against a figure held between wooden planks, while a small group of naked, seated figures waits nearby. The figures are drawn in a traditional East Asian woodblock style, characterized by fluid ink lines and expressive, grotesque features on the demons.
This image is a didactic illustration of the Ten Kings of Hell (Diyu), a central concept in East Asian Buddhist eschatology where souls are judged and punished for transgressions during life. These depictions were frequently used in popular tracts and vernacular literature to encourage moral behavior through the visual depiction of karmic retribution.
圖示望異質 良悔牢刻 眾計聖 佛金訶 受刻彼 之獄 盡責義 地室拉 吾善明 宜刻度 臨天燈地不啟 神明 接君受 御對 之刑 凡貪盜財 物永陷彼 涉之獄
Translation
Illustrations of [the] strange qualities of the underworld. [Reflecting on] remorse in the prison... [inscribed for] the benefit of all living beings... the Buddhist hells. [Inscriptions labeling the specific tortures and the moral failures leading to them, referencing greed, theft, and the judgment of the divine deities.]
Kṣitigarbha Sutra
The iconography reflects the punishments of the various hells described in the popular Buddhist texts concerning Kṣitigarbha (Jizō) and the judicial afterlife.
Object
woodcut
paper
Qing dynasty
Chinese
religious
Digital Source
Wikimedia Commons · Public domain
347 × 598 px
Linked Data
AI AI-cataloged fields generated by gemini-3.1-flash-lite-preview on April 20, 2026. Getty identifiers are AI-inferred and may require verification.