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Original fileAthanasii Kircheri e Soc. Jesu China monumentis: qua sacris qua profanis, nec non variis naturae & artis spectaculis, aliarumque rerum memorabilium argumentis illustrata
Two Jesuit saints kneel in the clouds beneath a radiant IHS monogram, flanked by cherubim. Below them, Adam Schall von Bell in Chinese mandarin robes and Matteo Ricci in clerical dress present a map of the Chinese empire, bordered by the Great Wall. In the foreground, an armillary sphere and a quadrant are displayed, signifying the scientific and astronomical contributions of the Jesuit mission.
Athanasius Kircher used this work to integrate Chinese history into a universalist framework, famously theorizing that Chinese characters were a derivative of Egyptian hieroglyphs. The image represents the 17th-century 'Republic of Letters,' where natural philosophy, geography, and theology converged in the Baroque effort to synthesize global knowledge.
IHS TARTARIAE PARS. Peking Cinan Siganfu CHI: NA. INDIA. OCEANUS CHINENSIS JAPAN ATHANASII KIRCHERI SOC: JESU CHINA AMSTELODAMI, ILLUST Apud Johannem Janssonium à Waesberge et Elizeum Weyerstraet 1667
Translation
IHS PART OF TARTARY. Peking Jinan Xi'an CHI: NA. INDIA. CHINESE OCEAN JAPAN OF ATHANASIUS KIRCHER OF THE SOCIETY OF JESUS CHINA AMSTERDAM, ILLUST: By Johannes Janssonius van Waesberge and Elizeus Weyerstraet 1667
Athanasius Kircher, Oedipus Aegyptiacus
Kircher applies the theories of ancient cultural diffusion and 'prisca theologia' established in this earlier work to the analysis of Chinese civilization.
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December 31, 2017
March 24, 2026
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