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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe image shows monumental, trumpet-like funnels embedded within the masonry of a palace to capture and transmit sound. One tube terminates in a 'speaking head' statue in a private room, while a massive vertical funnel hangs over a public gallery to overhear conversations from the groups of figures below. Letters throughout the diagram serve as a key for explaining the physics of sound reflection and propagation.
Athanasius Kircher, a Jesuit polymath, viewed acoustics as a branch of 'natural magic'—the use of hidden physical laws to produce seemingly miraculous effects. These designs represent the early modern obsession with surveillance and the 'theatre of the world,' where technology could be used to reveal secrets through the manipulation of the senses.
A B E S G C D H I K M N O P Q U V
Translation
A B E S G C D H I K M N O P Q U V
Athanasius Kircher, Phonurgia Nova (1673)
The original Latin text where Kircher details the construction of these 'Magia Phonotactica' (acoustic magic) devices.
Athanasius Kircher, Musurgia Universalis (1650)
Kircher's earlier foundational work on music and the nature of sound.
Object
Engraving
scientific
Digital Source
Wikimedia Commons · Public domain
Deutsche Fotothek
Public domain
800 × 569 px
bbd9ed675860d848eea36143b780cc602ba444b6
April 10, 2009
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.