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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileTwo figures are positioned on opposite sides of a wide valley with a fortress in the background. On the left, a man speaks into the narrow end of a large conical horn supported by a stand, while on the right, a second man gestures as he receives the magnified sound. Letters (A, B, C, I) are placed throughout the scene to indicate the path of acoustic transmission and the components of the apparatus.
This image reflects Athanasius Kircher's investigations into acoustics and 'natural magic,' where the hidden properties of the physical world are harnessed through mechanical invention. It belongs to the transition between Hermetic wonder and the experimental natural philosophy of the late 17th century, seeking to master the 'sympathies' of sound through geometry.
A B C I
Translation
A B C I
Athanasius Kircher, Phonurgia Nova
This image illustrates the principles of acoustic magnification and long-distance communication detailed in Kircher's primary treatise on sound.
Athanasius Kircher, Musurgia Universalis
An earlier work by Kircher that explores the mathematical and mystical properties of sound and harmony.
Object
Engraving
scientific
Digital Source
Wikimedia Commons · Public domain
Deutsche Fotothek
Public domain
800 × 593 px
e0bdfecdcf32d0f0e33d5dfbe50f65127d1eac35
April 10, 2009
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.