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Original fileKircher oedipus aegyptiacus 15 serapis
A woodcut print of the Greco-Egyptian deity Serapis, shown as a bearded man wearing a calathus (a basket-shaped crown) with palm fronds. He stands with one foot on a large crocodile in the river. His right hand rests on the head of a hybrid creature featuring the heads of a dog, a wolf, and a lion, all supported by a coiled snake. The figure wears drapery over his left shoulder and holds a staff (measuring rod) in his left hand. The image is densely annotated with letters keyed to a list of symbolic definitions regarding time and the flooding of the Nile.
This plate from Kircher's 'Oedipus Aegyptiacus' (1652-1654) represents the 17th-century syncretic effort to interpret Egyptian hieroglyphs and deities through Neoplatonic and Hermetic lenses, specifically drawing upon Macrobius's description of Serapis as a solar and temporal deity.
SERAPIDIS MACROBIANA DESCRIPTIO. Explicatio symbolorum Serapis. A Calathus, fœcunditas Nili. B Nuditas iuuenilis, reflorescentiam post exundationem Nili notat. C Mensura incrementorum Nili. D Temporis Author Serapis. E Tempus præteritum. F Præsens per canem adblandientem. G Futurum per lupum obliuiosum. H Temporum successio. M Solis motus per humidum. Typus Serapidis hic physice expositus, ad alios sensus anagogicos, ethicos, mysticos, p[er] analogia applicari potest.
Translation
The Macrobian description of Serapis. Explanation of the symbols of Serapis. A Calathus, fertility of the Nile. B Youthful nudity, denotes the flourishing after the flooding of the Nile. C Measure of the increase of the Nile. D Serapis, author of time. E Past time. F Present [represented] by the fawning dog. G Future [represented] by the forgetful wolf. H Succession of times. M Motion of the sun through the moisture. This image of Serapis, physically explained here, can be applied through analogy to other anagogical, ethical, and mystical senses.
Athanasius Kircher, Oedipus Aegyptiacus
This is the source text and work for the provided plate.
Macrobius, Saturnalia
Kircher explicitly references the 'Macrobiana descriptio' (Macrobius's account) of Serapis as the foundation for his symbolic interpretation.
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