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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileTwo figures stand on a tiled floor within a large hall, their positions marked beneath a curved, vaulted ceiling. Straight lines illustrate how sound travels from the speaker on the left, reflects off multiple points on the ceiling, and converges on the listener on the right. The diagram demonstrates the mathematical precision of acoustics, showing how architectural form can focus sound through specific geometric paths.
Athanasius Kircher sought to reveal the hidden 'natural magic' of the world through acoustics, viewing mathematical laws as divine principles that governed both the physical and spiritual realms. This study of sound reflection was part of his larger effort to catalog all knowledge and create technological wonders for the Baroque cabinets of curiosity.
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Translation
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Athanasius Kircher
Kircher was the author and designer of the original acoustic theories and diagrams exploring 'Phonurgia' or the science of sound.
Phonurgia Nova
This text, published by Kircher in 1673 (and translated in 1684), is the primary treatise from which these acoustic diagrams originate.
Object
Engraving
scientific
Digital Source
Wikimedia Commons · Public domain
Deutsche Fotothek
Public domain
800 × 565 px
8be1b8d80e00b5093bdd3e7eea1c97df0431f7d2
April 10, 2009
March 24, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.